In the wake of the phantom's plague

from Architecture of plague by Havenless

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HAVENLESS ' s first EP "Architecture of plague" was recorded and mixed by Raphael Henry at Echoes Studio and mastered by keyboard player PY Marani at Ubik Mastering during summer 2012.
The band’s progressive death metal sound is strongly influenced by OPETH ,IHSAHN , ENSLAVED , or PORCUPINE TREE with lyrics reminding KING DIAMOND ‘s style .

Artwork by David Cragne

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lyrics

IN THE WAKE OF THE PHANTOM ‘S PLAGUE

Out of the fog ,
The night walker ‘s slipping away,
The lonely ghost ‘s braving the cold
As now the cries seem far in the distance.
I’m just one step behind , but can’t see my own shadow on the walls.
Who am I in this world ? And is this world insane ?

Night watches us walking ,
But my steps have no echoe here!
Dark houses keep silent as we’re going through this set of fear.
I’m a stranger to this past century,
Like trapped , under a spell.
I’m following this shape of Death.

Drawing nearer to where he dwells ,
Into this place of nameless streets ,
The air is getting colder , as we now reach the phantom’s den.

The gate opens and I follow his steps.
Inside this house , there is no sign of life.
No furniture , no window to be seen.
Only the smell of dusty wood to bear.
Nothing has survived here,
But a broken mirror , waiting in a corner ,
Waiting for us to see…
Facing the looking glass , the killer grasps my hand ,
And he raises his head ..
I finally can look at him…He has my face !
In the wake of the phantom’s plague,
I’ve been tracking my curse.
tracking my curse

credits

from Architecture of plague, released October 31, 2012

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about

Havenless Toulouse, France

HAVENLESS was created in France , in early 2012, by singer/guitarist/composer Fred Blanchard.
HAVENLESS has released its first EP “Architecture of plague”, which was recorded and mixed at ECHOES STUDIO in May 2012.
The band’s progressive death metal sound is strongly influenced by OPETH, IHSAHN, ENSLAVED, and PORCUPINE TREE whereas the lyrics may remind KING DIAMOND ‘s style . ... more